Legs from the knee carefully clear of the horse’s sides in fact

Legs from the knee carefully clear of the horse’s sides in fact

Legs from the knee carefully clear of the horse’s sides in fact

It is a curious circumstance that the English alone have two styles of horsemanship. The one, natural and useful, formed in the hunting-field; the other, artificial and military, imported from the Continent. If you go into Rotten Row in the season you may see General the Earl of Cardigan riding a trained charger in the most approved military style the toes in the stirrups, long stirrup-leathers, heels down, legs from the knee carefully clear of the horse’s sides in fact, the balance seat, handed down by tradition from the time when knights wore complete armour and could ride in no other way, for the weight of the armour rendered a fall certain if once the balance was lost; a very grand and graceful style it is when performed by a master of the art of the length of limb of the Earl, or his more brilliant predecessor, the late Marquess of Anglesea. But if you go into Northamptonshire in the hunting season, you may see the same Earl of Cardigan in his scarlet coat, looking twice as thick in the waist, sailing away in the first flight, sitting down on the part intended by nature for a seat, with his knees well bent, and his calves employed in distributing his weight over the horse’s back and sides. In the one case the Earl is a real, in the other a show, horseman.